Directors

Dr. Stephen Cook

Founder, Artistic Director

photo by Steve Weiss

Pianist, Dr. Stephen Cook has dedicated his life to building culture through musical performance, education, and nonprofit leadership.

A student of luminary pianists Ursula Oppens, Robert Hamilton, and Eteri Andjaparidze, Cook trained at DePaul University, Northwestern University, and Arizona State University where he earned his Doctor of Musical Arts Degree.

He has participated in masterclasses with legendary pianists Vladimir Feltsman, Alexander Slobodyanik, Philip Kawin, and Alexander Toradze and is prize-winner of numerous competitions including the Jacob Flier International Piano Competition, Klatzkin Contemporary Music Competition, Beverly Hills National Auditions, North Shore Musicians Club Competition, DePaul University's Concerto Competition, National Society of Arts and Letters Piano Competition, Arizona State University Concerto Competition, & Yamaha/Sherman Clay Young Artists Piano Competition.

A visionary pianist, Dr. Cook expands the traditional piano recital format with distinctive elements of artistic fusion. His innovative performance projects harmoniously merge music with visual arts, poetry, film, and even cuisine. He is also a founding member of the Oracle Piano Quartet and an annual guest artist of the Bermuda Piano Festival.

As an educator, Dr. Cook fosters appreciation for artistic tradition through the use of modern technology. He leads a large private piano studio and is founder and director of the Oracle Chamber Music Festival and the Oracle Online Conservatory.

Dr. Cook believes in the philanthropic power of music and created the Oracle Online Conservatory to provide barrier-free musical instruction for students in need.

Passionate about community outreach and cultural development, Dr. Cook founded Oracle Piano Society in 2012. As the organization’s Artistic Director, he has brought together an impressive Artist Advisory Committee, empowered a passionate Board of Directors, and inspired an outpouring of local support. Now in its tenth year of operation, the Society has established a permanent venue called the Oracle Center for the Arts and is developing a new outdoor amphitheatre as part of its campus development plan. With its annual concert series, community chorale, chamber music festival, and online conservatory, Oracle Piano Society intends to become the next great American Music Festival in the tradition of Aspen, Ravinia, and Tanglewood.

Jean Wilcox,

Chair

photo by Steve Weiss

Growing up without a television, I learned to appreciate recorded music and radio. My childhood years were spent listening to LPs my parents bought at the Army PX, almost all classical recordings with a few modern selections. We invented games to recordings such as An American in Paris, Peer Gynt Suite, and Ride of the Valkyries. When I first saw a live performance in Washington D.C. at age 11, I was captivated by the blend of sounds as well as the performers who appeared to be one with their instruments. Many years later, my love of music led me to serve on the board of the Flagstaff Symphony Association, and as president for its 50th year anniversary in 1999. I was also a founding member of the Greater Beloit Community Foundation, a member of the Granite Dells Preservation Foundation as well as the Central Arizona Land Trust in Prescott AZ. I hope to bring my knowledge of nonprofit organizations and my experience as a public attorney to help the Oracle Piano Society remain one of Oracle’s greatest assets. The OPS was one of several reasons my husband (Jeffrey Zucker) and I decided to move to Oracle in 2018 from Prescott.

Jenine Mayer,

Director

Jenine Mayer has been drawing, collaging and painting in Oracle, Arizona for the last nine years. Recently she has focused on acrylic paint on canvas to capture some of the Arizona mountains she has hiked. She has abstracted each into simple shape and solid color that take a viewer on a trek into the desert landscape.

Jenine was a middle school teacher in Alaska before retiring and received much of her art education from The Drawing Studio and local artist Pat Dolan.

Sarah Meade Hardin, Director

photo by Steve Weiss

My early musical sensitivities we are based on nursery rhymes and songs, camp songs, and classical music. I took piano lessons as a child and sang folk songs and played guitar in high school. Because I had music-playing older siblings, I went to concerts (orchestral) from a very young age. Still do.

While working full time as a Registered Nurse, I sang in church groups and did a lot of musical theater. However, I raised a child who played violin and Scottish fiddle back in the 80s, and when I turned 60, 10 years ago, I decided to start playing fiddle, specifically to play the Scottish fiddle tunes that I loved.

I love live music, and my desire to share this has led to my support of the Oracle piano society and OrCA.

Sarah Hardin BA (anthropology), BSN

Joe Bidwell, Director

In the fourth grade our itinerant music teacher had us singing folksongs, but the boys wouldn’t sing because it wasn’t cool.

With permission, I brought in a tape recorder with the current Top Ten songs and everyone sang along.

With a background in both music and electronics, I operated Autograph Recording Studios in Tucson during the 70’s and 80’s.

I play in the Irish band “The Cattle Street Gathering” and we were honored to play a St. Patrick’s Day concert at OrCA in 2019.

Voices in the Oaks has provided great opportunities and I’ve been singing with them since 2016.

Thank you Mary Huebner for founding the group!

Diane Gehret Clark, Director


When thinking of my childhood music education, I’m remembering grade school classrooms, each one had a piano, and all of the teachers could play. Though I yearned for a piano of my own, I did not grow up in a musical family. My music education was limited to church music, the 45-record player we had at home, and my high school band experience (I was a majorette).

Music was ‘play’ for me… childhood friends and I would hold talent contests in the backyard, perform plays we created out of thin air, and sing karaoke in front of the big living room mirror at my friend’s house, pretending we were the Supremes.

Opportunities for extensive world travel changed everything for me deepening my appreciation of all things artful and musical. Everywhere I traveled, I was exposed to the music and art of different cultures from the cathedrals and museums of Europe and Asia to the haunting calls to prayer in the Middle East. I would buy original art and attend musical events at every opportunity reminding me that even though these cultures are different from mine, we all share a common bond--an appreciation for the music that moves us and the art that enchants us; realizing in this way, we are all one.

My professional background: I studied art history, graphic design, and English in college, graduating with a BA in Communication; an easily transferrable skill set to Marketing Communication, Art Direction, and writing and editing in the corporate/technology environment of Silicon Valley. Retired now, I’m grateful to be serving on the board of directors using my experience in marketing and digital arts to support my community through the music and art offerings of the Oracle Piano Society.

Dr. Coralee Thompson,

Director emeritus

photo by Steve Weiss

Music has been part of my life for as long as I can remember. Those early memories include sitting next to my sister while she played our evening worship hymns, trying to hold pennies atop my hands during my first piano lessons, singing special music for church, and secretly wanting to sing pop or Broadway. During high school, I sang in 4 groups, played flute in the band, and organized various events related to musical performances. As a young mother, I took my two sons through the Suzuki violin method. For the past 10 years, I’ve played my friend’s original music who nudged me through the process of making an album. I first learned about the OPS when a local friend told me about Voices in the Oaks. Mary Huebner accepted my request to join the chorus very late in the season. It was a thrill to be a part of this magical little chorus. I then attended Steven Cook’s roaring 20s concert. I couldn’t believe that our small town could have such a gold mine of musical artistry. My professional training is in medicine, but my avocations include singing, playing piano and flute, gardening, cooking, exercising, and just helping out. I have learned that my language of love is service. I’m honored to serve on this visionary board.


John Blair, Director

I discovered Oracle while on a bike ride years ago. There was no question where I wanted to live. My family and I were able to find our place in this mountain setting and have really come to enjoy our unique community. I served in the US Army for 21 years. Service has always been a part of me. After meeting Dr. Cook, I was extremely impressed with his story. I was taken aback by his vision for enriching lives. We are fortunate to have someone of his caliber. From the board members, to many across this community, we have a tremendous amount of talent and human potential to enhance the uniqueness of our mountain village. My youngest is an aspiring musician. Like my mother before her, she has a passion and drive for music performance that is remarkable. It was through my daughter that I met Dr. Cook after the OPS offered a special opportunity for her and her school orchestra to perform in Oracle. I saw this as an experience for myself to serve. Excellence in this endeavor takes involvement from each of us, and I saw myself in it. Although I have no training in any of the arts, I have an appreciation for the skill. It takes hard work and passion for artists to display their work for the enjoyment of others. My desire is to make a positive impact with the OPS while involving and exposing as many of our talented citizens (artist or not) in what Dr. Cook is striving to accomplish.